Semester II: Bibliography

01/01/2015


Blog entry 27:

Adler. K. and Pointon, M. (eds.) (1993) The Body Imaged: The human form and visual culture since the Renaissance. Cambridge: Cambridge University Press.

BBC News (2012). Fighting may have shaped the evolution of the human hand. [Online] BBC News. Available at: http://www.york.ac.uk/integrity/harvard_other_accordian.html [Accessed 4th November 2014]

Berlin Painter (480 B.C.) Herakles and Iphikles attacked by snakes. Pottery, Paris: Louvre

Berman, P.g. (1993) Body and body polotic in Edvard Munch’s Bathing Men. In Adler, K and Pointon, M. (eds.) The Body Imaged: The human form and visual culture since the Renaissance. Cambridge: Cambridge University Press.

Clarke. K. (1956) The Nude. In Nead. L. (ed.) The Female Nude: Art, Obscenity and Sexuality (1992) Routledge.

Carrier. D. and Morgan. M.H. (2012). Fighting may have shaped the evolution of the human hand. [Online] BBC News. Available at: http://www.bbc.co.uk/news/science-environment-20790294  [Accessed 4th November 2014]

Deepdane Painter (Attributed to) (470-460 B.C), Perseus and Danae. Terracotta Red-figure Pottery

Eakins. T. (1898) Salutat. Addison Gallery of American Art, Andover, Massachusetts. Oil paint, 126.4 x 101.0 cm

Fabbri. P.(2011) Beyond Gombrich: the recrudescence of visual semiotics. Princeton: Princeton University Press

Gill, M. (1989) Image of the Body. New York: Doubleday Dell Publishing Inc.

Gombrich, E. H. (1993) Gombrich on the Renaissance, Volume 2: Symbolic images. 2nd Ed. London: Phaidon Press Ltd.

Harter, J. (1985) Hands A Pictorial Archive from Nineteenth Century Sources. Ontario: Dover Publications.

Hatt, M. (1993) Muscles, Morals, Mind: the male body in Thomas Eatkins’ Salutat. In Adler, K and Pointon, M. (eds.) The Body Imaged: The human form and visual culture since the Renaissance. Cambridge: Cambridge University Press.

Havelock. C.M. (1995) The Aphrodite of Kindos and her Successors: A Historical Review of the Female Nude in Greek Art. 1st Ed. Michigan: University of Michigan.

Hawkins. B.W. (1863) Frontispiece to Evidence as to Mans Place in Nature. In Huxley. T.H. Evidence as to a Mans Place in Nature. (1863). In The Zoological Relations of Man with the Lower Animals. (1861) 1st Ed. (p67 – 84.) London: The Natural History Museum.

Hunt. W.H. (1853) The Awakening Conscience. Oil on Canvas, 762 x 599mm, Tate Gallery, Britain

Jones, A.G. (1993) The ambivalence of male masquerade: Duchamp as Rrose S’elavy. In Adler, K. and Pointon, M. (eds.) The Body Imaged: The human form and visual culture since the Renaissance. Cambridge: Cambridge University Press.

Masters, M. (1997 – 2014) Does Petting a Cat Release Endorphins? [Online] The Nest. Last updated: 2014. Available at: http://pets.thenest.com/petting-cat-release-endorphins-10269.html [Accessed 9th November 2014]

Matloff. G.L. Johnson.L. and Bangs.C. (2007) Art or Science? In Living off the Land in Space: Green Roads to the Cosmos. Pp 161-168, New York: Springer Science.

McNiven. T.J. (2007) Behaving Like a Child: Immature Gestures in Athenian Painting. In Constructions of Childhood in Ancient Greece and Italy. Pp 85-99, Athens: The American School of Classical studies at Athens.

Moore. G and von Minden. D.L. (eds.) (2010) The History of Fingerprints. [Online] Webservant. Last Updated: 15th September2014. Available at: http://onin.com/fp/fphistory.html [Accessed 4th November 2014]

Munari. B. (1958) Front cover of Speak Italian: The Fine Art of Gesture, Black and white photograph.

Munch. B. (1907) Bathing Men. Ateneum. Oil on canvas 206 x 227cm. Helsinki, Finland

Nead. L. (ed.) (1992) The Female Nude: Art, Obscenity and Sexuality. Routledge

Nicol. K. (2012). Karen Nicol’s Gallery. [Online] Available at: http://www.karennicol.com/pages/gallery1.html [Accessed 4th November 2014]

Nochlin. L. (1978) Lost and Found: Once More the Fallen Woman. Pp 139 – 153, New York: College Art Association

Pollitt. J.J. (1990) The art of Ancient Greek Sources. Cambridge.

Popova. M. (N.d.) The Fine Art of Italian Hand Gestures: A Vintage Visual Dictionary by Bruno Munari. [Online] Brain Pickings. Available at: http://www.brainpickings.org/2012/12/13/bruno-munari-speak-italian-gestures/

Praxiteles (4th Century B.C.) Capitoline Venus or Aphrodite of Knidos. Marble Sculpture

Prud’hon, P.P. (1800’s). Bust of Female Nude. [Painting] France.

Ray. M. (1921) Marcel Duchamp as Rrose S’elavy. Photography

Raynes. J. (2007) Figure Drawing & Anatomy for the Artist. 2nd Ed. London: Bounty Books.

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 Sagan. L.S. Sagan.C. and Drake. F. (2006) Illustration on the Pioneer Plaque. original artwork created 1972 and 1973, NASA.

Sappho Painter (Attributed to) (500-490 B.C.) Mourners around the bier. Attic black- figure plaque, Louver Museum, Paris

SIOM Educational videos. (2010). Range of Motion in the Hand and Wrist. [Video]. Available at: http://www.york.ac.uk/integrity/harvard_other_accordian.html  [Accessed 4th November 2014]

Stillfried. G and van der Smagt. P. (2010) Movement Model of a Human Hand Based on Magnetic Resonance Imaging (MRI). Venice: ICABB.

Taylor. B. and Gargiulo. A. (2014) Learn Italian Hand Gestures With Male models. video and photography, created for Swide. [Online] Swide. Available at: http://www.swide.com/art-culture/learn-italian-hand-gestures-with-dolce-and-gabbana-male-models-video/2014/01/22

Taylor. T. (1999) Muscles of the Hand and Wrist. [Online] Inner Body. Last Updated: 2014. Available at: http://www.innerbody.com/image_skel13/ligm27.html [Accessed 4th November 2014]

Webster. M. (2014) Visual Dictionary Online: Hand. [Online] Visual Dictionary Online. Last Updated: 2014. Available at: http://visual.merriam-webster.com/human-being/anatomy/skeleton/hand.php [Accessed 4th November 2014]

Young. R.W. (2003) Evolution of the Human Hand: The Role of Throwing and Clubbing. Journal of Anatomy. January 2003, 165 – 174.

Zavaglia. C. (N.d.) Gallery. [Online] Available at: http://www.caycezavaglia.com/embroideries/xmyy2yq10qw4svjtp41c9qdz1kfali [Accessed 4th November 2014]

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